Seventy Times · Chapter 17
Verse Seven
Forgiveness under truthful pressure
7 min readThe study reaches a verse about joy, and the men consider what joy means in a place that was not designed to produce it.
The study reaches a verse about joy, and the men consider what joy means in a place that was not designed to produce it.
Seventy Times
Chapter 17: Verse Seven
Your love has given me great joy and encouragement, brother, because you have refreshed the hearts of the Lord's people.
Ezra read the verse and the room received it and the silence that followed was the silence of men confronting a word that did not belong in the place where they lived.
Joy.
The word sat in the room like something delivered to the wrong address — present, unopened, waiting for someone to decide whether it should be accepted or returned.
"Joy," Tyrell said. "In here."
"Paul was in prison when he wrote this," Ezra said.
"Paul was also an apostle. He had a purpose. He was writing letters that would become scripture. His prison was different from our prison."
"Was it," Ezra said.
The question was not rhetorical. Ezra did not ask rhetorical questions in the study. Every question he asked was a question he wanted answered, because rhetorical questions were a tool of preaching and this room was not a preaching room. It was a room where questions were asked because the answers mattered.
"Yes," Tyrell said. "Because Paul knew why he was there. He was there for the faith. He was there for Christ. He had a reason. We — " He gestured at the room, the walls, the chairs, the men. "We're here because we made choices. Bad choices. Choices that hurt people. Paul didn't hurt anybody."
"Paul held the coats while Stephen was stoned," Ray said.
The room was quiet.
"Before his conversion," Ray continued. "Paul — Saul — stood by while a man was killed. He didn't throw the stones. He held the coats of the men who did. He was a participant. He was complicit."
Ray did not look at Darnell.
The not-looking was deliberate. Ezra saw the deliberateness and understood it, the way he understood most things Ray did — as an action performed with full awareness of its weight and its direction.
"So Paul knew," Ray said. "He knew what it was to be the man who didn't do the thing but was there when the thing was done. And he still wrote about joy."
Darnell's hands were on his Bible. The hands were still. The stillness had the quality of a man holding himself in place — not frozen, not rigid, but consciously maintaining a position that required effort to maintain.
"Joy isn't happiness," Khalil said. "Happiness is a feeling. Joy is a condition. In Sufism we call it uns — spiritual intimacy. It is the state of being close to God regardless of your circumstances. It does not require comfort. It does not require freedom. It requires presence."
"That's easy to say," Jerome said.
"Nothing I have said in four years in this room has been easy to say," Khalil said. "I say it because it is true, not because it is easy. Joy in a prison is not the absence of suffering. It is the presence of something stronger than suffering. And whether that something is God or faith or the room itself — the name does not matter. The presence matters."
Jerome looked at the table. He was twenty-four. Three years into a twelve-year sentence. His daughter was three and growing at a speed he could not match and would not be present for, and joy was a word that required a proximity to his daughter that the Bureau of Prisons had replaced with photographs and phone calls and the visiting room where the chairs were bolted to the floor and the time was measured and the goodbye was supervised.
"I had joy once," Jerome said. "The day Keisha was born. I was nineteen. I was scared out of my mind. I was already in the situation that would put me here. And when they put her on my chest — " He stopped. "That's the last time I felt what that word means."
The room held this.
"Refreshed the hearts," Ezra said. He returned to the verse. "Paul says Philemon has refreshed the hearts of the Lord's people. The Greek word for refreshed is anapauo. It means to give rest. To cause to cease from labor. Philemon's love gave people rest."
He looked at the room.
"Where do you find rest."
Curtis B. spoke. Curtis B. rarely spoke. He was forty-five, eleven years into a fifteen-year sentence for wire fraud so elaborate that the sentencing judge had said, with something that was not quite admiration and not quite disgust, that the scheme demonstrated a level of creativity that would have been impressive in a legitimate context. Curtis B. was quiet because he had learned that in a room full of men who had committed violent or drug-related offenses, a man who had committed a financial crime occupied a particular position — respected for his intelligence, suspected for his manipulation, and never fully trusted by men who believed that dishonesty with money was a category of dishonesty that infected everything else.
"This room," Curtis B. said. "This room is where I find rest."
He said it simply. Without elaboration. Without the rhetorical skill that had made his fraud possible and his testimony at sentencing a masterwork of controlled remorse that even the prosecutor had acknowledged was either genuine or the most sophisticated performance he had ever witnessed.
"Not my cell. Not the yard. Not the phone call with my wife, who is still my wife and who has spent eleven years being my wife from a distance that would have ended most marriages and that has not ended ours for reasons I do not fully understand and that she explains by saying I knew who you were before you became who you became, and I am waiting for you to come back."
He looked at the table.
"This room. Because in this room I am not the fraud. I am not the scheme. I am not the sentence. I am a man with a Bible and a cup of coffee and a chair in a circle, and the circle does not care what I did. The circle cares whether I am here. And being here — actually here, not performing here — that's rest. That's the closest thing to the word Paul uses."
The room was quiet.
Ezra looked at the room.
He looked at the nine men in the nine chairs in the circle that was imperfect because folding chairs did not cooperate with geometry and because imperfection was the condition of everything the room held and everything the room was.
He looked at Darnell.
Darnell was looking at Curtis B. He was looking at him with an expression Ezra recognized — the expression of a man hearing someone say a thing he had felt but had not yet found the words for, and the hearing was a form of relief, because the relief of being understood was sometimes more powerful than the relief of being forgiven, and the understanding did not require the full story or the details or the confession. It required only the recognition that the room was a place where rest was possible, and rest was possible because the room did not require you to be anything other than present.
"Joy," Ezra said, "is what the room produces when the people in it are honest enough to let the room be what it is."
He did not say this as a teaching. He said it as a discovery — something he was learning in real time, in the room, with the men, in the moment when the verse and the conversation and the presence of nine men who had each found their way to this circle through paths of damage and faith and institutional routing converged on a single point, and the point was rest, and the rest was joy, and the joy was real, which was a thing Ezra had not expected to feel in a room that contained the man who had driven the car on the night his brother was killed.
But the room did not consult his expectations.
The room produced what it produced.
And what it produced, on this Sunday in October, was a thing that the word joy was not quite large enough to hold but was the closest word the language had.
They finished the verse.
At nine-thirty Ezra closed the Bible.
"Next week. Verse eight."
The men stood.
The room emptied.
The joy remained.
Not as a feeling. Not as a mood. As a residue. The way the room always retained something of what had been said in it, the way walls absorb sound and hold it in the plaster, inaudible but present, changing the room's quality in ways that could be felt but not measured.
Ezra stood in the empty room and felt it.
And despite everything — despite the sealed room in his chest and the facts of March and the corridor and the ninth chair and the weight — the feeling was not nothing.
It was not nothing.
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