The Habit · Chapter 5

Darren

Scripture shaped fiction

10 min read

Noel accepts a dinner invitation he has been declining for two years and discovers what a room full of noise sounds like from the inside.

The Habit

Chapter 5: Darren

Darren asked on a Friday, which was different. Usually he asked on Wednesdays, when the end of the week was still theoretical and the invitation could be deflected into the future tense without either of them having to admit that the future tense was where all of Darren's invitations went to die.

"Saturday," Darren said. He was standing at Noel's desk holding a Styrofoam cup of coffee that had a brown ring around the inside rim from the last three cups he had poured into it without washing it. "Cookout. Lisa's making potato salad. The kids are losing their minds. You in?"

Noel had the Harrison Street follow-up report open on his screen. Greely had hired a contractor, which was good. The contractor had scoped the work at two thousand dollars, which Greely was contesting, which was not good. Noel's cursor was blinking at the end of a sentence about vapor barrier replacement.

"Can't this weekend."

"You said that last weekend. And the weekend before that. And I'm pretty sure you said it at Christmas."

"I had the flu at Christmas."

"You had the not-wanting-to-come at Christmas. The flu was in January." Darren sat on the edge of Noel's desk, which he did constantly and which Noel tolerated because the alternative was a conversation about personal boundaries that would take longer than the sitting. "Listen. Lisa specifically asked me to tell you that she specifically wants you there. She said, and I'm quoting, 'If that man tells you he can't make it one more time, I am going to his house with a plate and I am not leaving until he eats it.'"

"That's a threat."

"It's a promise. Lisa doesn't threaten. She just does things to you and calls them hospitality."

Noel looked at his screen. The cursor blinked. Outside the office window, the afternoon traffic on Central Avenue moved in the slow, patient way that traffic moves in a city where no one is in a genuine hurry but everyone is performatively busy.

He did not know why he said yes. The word arrived in his mouth before the decision arrived in his mind, the way a reflex fires before the signal reaches the brain. Darren's face did the thing it always did when something surprised him — the eyebrows went up and the mouth opened half a beat behind the eyes, as if his face processed good news in stages.

"Wait. Yes?"

"Yes."

"You said yes."

"I said yes."

"Tomorrow. Four o'clock. I'll text you the address."

"You've texted me the address eleven times, Darren."

"This time you might look at it."

Darren left Noel's desk with the specific energy of a man who has won something he stopped expecting to win. Noel went back to the report. The cursor blinked. He typed the rest of the sentence about vapor barriers and saved the file and did not think about what he had just agreed to until four o'clock the next day when he was standing in Darren's backyard holding a paper plate and trying to remember how to occupy space in a place where people were having a good time.


Darren's house was in South Knoxville, on a street that had the wide, unclenched look of a neighborhood where the houses had enough yard between them to let each family make its own kind of noise without the noise becoming anyone else's problem. The yard was large and slightly overgrown in the way that yards are when children use them more than mowers do. A grill was smoking near the fence. A folding table held Tupperware containers with their lids half off. A sprinkler was running in the corner for no apparent reason.

There were maybe twenty people. Noel recognized some from the office — two inspectors, a clerk from permitting, a woman from environmental whose name he should have known and didn't. The rest were Darren's neighbors, relatives, the kind of extended social network that some people maintain the way other people maintain houses: constantly, with effort, because the maintenance IS the point.

Lisa found him before he found the edge of the yard. She was a small woman with a wide face and the kind of laugh that entered a room three seconds before she did.

"Noel Ware. You actually came."

"Darren said you'd bring a plate to my house."

"I would have. Sit down somewhere. I'll make you a plate."

"I can make my own—"

"You can. But you won't put enough on it. Sit."

She was gone. Noel stood in the backyard with his hands in his pockets and felt the specific discomfort of a man who has entered a social space without a role. At work, he was an inspector. In his house, he was the occupant. Here, in Darren's yard, he was a guest, which meant he was expected to receive without contributing, and receiving was the thing Noel was worst at.

He drifted to the edge of the yard. The fence was chain-link, six feet, partially obscured by a line of crepe myrtles that were blooming white. He stood there, watching the yard from the perimeter the way he watched buildings from the street — assessing, measuring, noting the structure without entering it.

A child appeared.

The child was approximately the size of a fire hydrant and was carrying a plastic lawn chair that was roughly half his own weight. He was Darren's youngest — Noel remembered this from an office photo — six years old, with Darren's face reduced to a draft version, the features all present but not yet committed to their final arrangement.

The boy set the chair down beside Noel. Unfolded it. It took two attempts because the hinge was stiff.

"You can sit here," the boy said. "It's the good one."

Noel looked at the chair. It was a white plastic lawn chair, identical to the eleven other white plastic lawn chairs scattered across the yard. There was nothing visibly superior about it. The boy stood beside it with his hands at his sides, waiting with the patient certainty of a child who has performed an act of generosity and is waiting for the adult to respond correctly.

Noel sat.

The chair was not, in any objective sense, better than the other chairs. But the boy had chosen it. Had carried it across the yard. Had set it up beside a man standing alone at the fence line and had offered it as if the offering was the most natural thing in the world.

"Thank you," Noel said.

"You're welcome." The boy ran back toward the sprinkler.

Lisa arrived with a plate. The plate was full in the way that plates are full when the person making the plate believes that food is a form of argument and the argument is that you are not eating enough. Smoked chicken. Potato salad. Coleslaw. Baked beans. Cornbread. A deviled egg balanced on top like a garnish that had been added out of principle rather than proportion.

He ate.

The food was good in the specific, unreproducible way that food is good when it was made by a person who is cooking for people they know by name. The potato salad had dill, which he did not expect. The chicken had been on the grill long enough to mean it. The cornbread was from a cast-iron skillet and had the faint crunch of butter that had been allowed to brown.

He ate and he sat in the plastic chair beside the crepe myrtles and the yard moved around him — children running, adults talking, Darren laughing in the way that large men laugh when they are at home and the grill is going and the world, for the span of a Saturday afternoon, is exactly the size of their backyard.

He stayed for two hours.

He did not mean to. He meant to eat, thank Lisa, shake Darren's hand, and leave. But the chair held him. Or the boy held him. Or the potato salad held him. Something held him, and the holding was gentle, and the two hours passed the way water passes through a crack in a dam — not because the crack was large but because the pressure on the other side was persistent.

He had not known how loud a room could be when you were inside it instead of outside.


He drove home with the windows down. The evening air was warm and smelled like cut grass and charcoal and the particular sweetness of a Knoxville summer that has not yet crossed the line into August. His hands were on the wheel and the road was the same road and the turns were the same turns and the house was the same house, but something in his chest was different.

Not joy. Not warmth. Something looser. An unfastening. As if a knot he had not known was there had been worked at by six-year-old fingers and a plastic chair and two hours of sitting inside a noise he had been standing outside of for years.

He parked. Walked up the porch steps. Third step, groan. Screen door. Kitchen.

He sat at the table. Opened the composition book. The four entries were there, small and orderly. He uncapped the pen.

He wrote two entries. The first one he wrote quickly, without stopping — the words arriving in the same factual register as the previous entries, the inspection-report voice, the language of surfaces.

Inspected the Callahan duplex. Southeast corner has moisture in the crawl space. Told the owner to get it graded before fall.

He set the pen down. Looked at what he had written. It was Monday's inspection, not today. He had not written about Monday on Monday. He was backfilling. The gap from the night he had not written was now two gaps — and instead of writing about the cookout, he had written about a crawl space.

He picked the pen back up. The second entry was slower. The words came one at a time, as if each one had to be examined before it was allowed onto the page.

Vendor at the cookout was selling smoked ribs. Darren's kid gave me his chair. Drove home with the windows down.

He looked at it. Three sentences. One about a vendor who had not been selling ribs (there was no vendor; Darren had been at the grill himself; somewhere between the yard and the page Noel had inserted a stranger). One about the boy. One about the drive home. Nothing about how it felt to be inside the yard instead of outside it. Nothing about the potato salad with dill. Nothing about the two hours that passed like water through a crack.

But the boy was there. The chair was there. The drive home with the windows down was there. And these three facts, sitting in the composition book between the inspection reports and the faucet repair, were the first evidence that Noel Ware's evenings contained something other than work and maintenance.

He closed the notebook. Went to bed.

In the morning, the looseness in his chest was gone. In its place: a tightness, specific and familiar, as if the knot that had been worked loose had retied itself in the night. He lay in bed and felt it and understood, without language, that the tightness was not new. It was the original condition. The looseness at the cookout had been the anomaly.

He got up. Made coffee. Drove to work. Did not mention the cookout to Darren.

The composition book sat on the table in the empty kitchen with five entries inside it, and the fifth entry was the first one that contained a human being other than Noel, and neither the notebook nor the man had decided yet what to do about that.

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