Undertow · Chapter 3
The Patrol
Rescue under the tide
20 min readThe Asbury Park Beach Patrol assembles for the season: twenty-two guards, four stands, one purpose.
The Asbury Park Beach Patrol assembles for the season: twenty-two guards, four stands, one purpose.
Undertow
Chapter 3: The Patrol
The morning meeting happened on the boardwalk at six-forty-five, fifteen minutes before the stands opened, in the gray-blue light that preceded the beach's public hours when the boardwalk belonged to the patrol and the joggers and the gulls and no one else. Twenty-two guards standing in a loose semicircle near the equipment locker, some still pulling on their red suits, some stretching, some holding coffee in paper cups from the Dunkin' Donuts on Cookman Avenue that had been open since five and that served the guards and the fishermen and the early-morning insomniacs who came to the counter with the particular glazed patience of people who had been awake too long or not long enough. James stood at the center of the semicircle with a clipboard and a radio and the authority that came not from the clipboard or the radio but from the twenty years of water that preceded this moment, the twenty years that were written on his body -- the permanent tan line at the collar and the wrists, the chemical lightening of his close-cropped hair from chlorine and salt, the particular musculature of shoulders and chest that came from swimming in surf, which was not the same musculature that came from swimming in a pool, because surf swimming required the additional engagement of the core and the obliques against the lateral forces of current and wave, and the engagement was visible, was the body's testimony to the work it had done, the way a carpenter's hands testified to wood and a farmer's back testified to soil.
"Stand 1, north end. Kyle and Marquez." James read from the clipboard. "Stand 2, Hernandez and Liu. Stand 3, Thompson and Bell. Stand 4, myself and Vargas."
Elena Vargas stood to his right, slightly behind, in the position she had occupied for ten years, the lieutenant's position, which was not beside the captain but offset, the angle that allowed her to see both the captain and the patrol, to receive the captain's direction and transmit it to the guards, to be the hinge between authority and execution. She held her own clipboard. She held a pen. She took notes in a handwriting that was small and precise and that James had learned to read upside down, a skill that was useless outside the context of this particular partnership but that within the context was a form of intimacy, the intimacy of shared work, of ten years of mornings on this boardwalk with these clipboards and these radios and these twenty-two people whose lives depended on the quality of the instructions James gave and Elena transmitted and the patrol received and executed.
"Forecast," James said. "Southwest wind ten to fifteen knots. Swell two to three feet, five-second period. Water temp sixty-one. Air seventy-four by noon. Green flag conditions. Standard rotation, ninety-minute shifts, breaks in the equipment room."
He looked at the faces. Twenty-two guards. Some he had trained from their first year. Some were new this season -- three rookies who had passed the physical test and the swim test and the written exam and who stood now at the edge of the semicircle with the particular self-conscious alertness of people who had been tested and had passed and did not yet understand that the testing had not been the hard part, that the hard part was the eight hours on the stand in the sun scanning the water for the thing you hoped you would not see and that you had to be ready to see, the contradictory readiness that was the job's defining condition: the hope for nothing and the preparation for everything.
The physical test was a five-hundred-yard ocean swim in under nine minutes. A two-hundred-yard run, swim two hundred yards, run two hundred yards, in under five and a half minutes. A simulated rescue: swim to a victim at a hundred yards, secure them, tow them to shore. The test was conducted in June, before the season started, in water that was still cold, in conditions that were whatever conditions the ocean provided that day, because the test was not designed to measure swimming ability in ideal conditions but swimming ability in the conditions that existed, which might be calm or might be rough, which might be clear or might be murky, which might be cooperative or might be the kind of ocean that made you work for every yard, and the working was the point, because the ocean on a rescue day would not cooperate, the ocean on a rescue day would be the ocean at its most indifferent, its most physical, its most committed to the simple hydraulic project of moving water in the directions water wanted to move, which were not the directions the guard wanted to move, and the guard's job was to move against the water's will, to impose the guard's direction on the water's direction, to win the argument that the water did not know it was having.
"Radio check in five," James said. "Everyone on channel six. Report any equipment issues to Vargas. Stands open at seven."
The semicircle dissolved. Guards walked to their stands, carrying rescue cans, adjusting straps, some talking to their partners about the weekend, about plans, about the ordinary social commerce of people who worked together and knew each other and would spend the summer in proximity and in shared purpose. James watched them go. He watched the way they walked -- some eager, some routine, some carrying the residual stiffness of a winter off the sand. He watched the rookies especially. He watched a young man named Davis walk toward Stand 1, carrying his rescue can too high, the strap digging into his shoulder, the can banging against his hip with each step. James made a note. He would show Davis the carry later -- can low, strap across the chest, weight distributed so that the body could run with it, because you would have to run with it, you would have to run across sand carrying twenty pounds of rescue equipment and the sand would be soft and the running would be hard and the carrying would be harder and the arrival at the waterline would not be the end of the running but the beginning of the swimming, and the swimming would be harder than the running, and the swimming with the can would be harder than the swimming without it, and the swimming against the current with the can toward the person who was drowning would be the hardest thing the body could do, and the body had to do it efficiently, which meant the carrying had to be efficient, which meant the strap had to sit across the chest and not on the shoulder, which was a detail, which was a small mechanical fact about equipment carry, which was the kind of thing that did not matter until it mattered absolutely, which was the condition of every detail in this job.
Elena stood beside him on the boardwalk, both of them watching the guards walk to their positions.
"Davis needs work on his carry," she said.
James nodded.
"I'll take him for a training session Thursday," she said. "Can carry, beach approach, water entry."
James nodded again. This was how it worked between them. Elena saw what James saw, and she saw it at the same time, and she proposed the response before James had to assign it, and the proposing was the competence and the competence was the reason James knew she was ready to be captain, because readiness was not a credential but a behavior, not a certificate on a wall but the continuous demonstration of the thing the certificate was supposed to certify, and Elena demonstrated it every morning on this boardwalk and every afternoon on the water and every moment in between when she stood slightly behind and slightly to the right and watched what he watched and knew what he knew and would do what he would do, which was the only test that mattered, the test that no written exam could administer and no swim time could measure.
The patrol was twenty-two guards organized into four stand teams of two, with James as captain and Elena as lieutenant. The hierarchy was simple because the purpose was simple. The purpose was to prevent drowning. Everything the patrol did -- the equipment maintenance, the physical training, the scanning protocols, the rescue techniques, the radio procedures, the public education, the crowd management, the flag system -- everything served the single purpose of keeping people alive in the water. The organizational chart was a funnel: wide at the top, where the twenty-two guards covered a mile of beach, narrowing to the point of contact, where one guard reached one swimmer in the water, and the reaching was the moment, the singular irreducible moment when the purpose of the entire organization contracted to a single pair of arms around a single body in a single column of moving water.
James had joined the patrol in 2005, at eighteen. He had grown up in Neptune Township, three miles inland from the beach, in a neighborhood where the ocean was a concept more than a presence, a thing you drove to on summer weekends and stood in up to your knees and drove home from with sand in the car and salt on your skin. His father, Keith Calloway, was a postal carrier who delivered mail on a route that included the houses on Ocean Avenue and who could see the ocean from the front porches of his customers' houses but who did not swim, had never swum, had never entered water deeper than his shins, because Keith Calloway had grown up in Newark in the nineteen-sixties and seventies and in the Newark of that era there were no public pools in his neighborhood and no one who looked like Keith was welcome at the pools in other neighborhoods and the absence of water in a childhood became the avoidance of water in an adulthood, and the avoidance became a fact, a structural fact, a fact of the body that was not discussed because it did not need to be discussed because it was simply the way things were, the way Keith was, the way the history that had shaped Keith continued to shape Keith long after the pools were integrated and the beaches were open and the water, in theory, belonged to everyone.
James swam. James had always swum. His mother, Caroline -- white, from Red Bank, a town ten miles south where the Navesink emptied into the bay and the coast was ten minutes east, the beaches at Belmar and Sea Girt where she had grown up swimming -- his mother had taken him to the beach as an infant and held him in the shallows and let the water touch his skin before he could walk, and the touching was the imprinting, the first language, the original vocabulary that everything else was built on. She took him to swim lessons at the YMCA in Asbury Park. She took him to the beach every weekend of every summer. She taught him that the ocean was not a thing to fear but a thing to know, and the knowing was the antidote to the fearing, and the antidote was something she could give her son that her husband's history had not given her husband, and the giving was an act of love that expressed itself as Saturday mornings in the car driving east on Route 33 toward the ocean that Keith did not enter and that James entered the way he entered everything -- fully, physically, with the total commitment of a body that had been built, from the beginning, to be in water.
He joined the patrol at eighteen because the patrol was hiring and he could swim and the pay was twelve dollars an hour, which was money, which was a reason. The other reason was the water. The other reason was the standing on the beach at Asbury Park looking at the Atlantic and feeling the thing he felt, which was not excitement or peace or any of the words people used about the ocean but something more specific, something more physical, something that was located in his chest and that expanded when he looked at the water and that contracted when he looked away, the way a muscle responds to its load, the way the body tells you what it is built for by the way it feels when it does the thing it is built for.
He made his first save in his first summer. The girl in the rip at Stand 2. He was eighteen. He remembers the swimming -- the sprint across the sand, the entry through the shore break, the stroke-stroke-stroke of the approach, the arms cutting the water with the efficiency that training had made automatic, that the body performed without the mind's supervision because the mind was occupied with something else, which was the girl, which was the position of the girl relative to the current, which was the distance closing between his body and her body, which was the gap between life and death narrowing with each stroke. He reached her. She was crying. She was nine. She was holding her nose with one hand and reaching for him with the other. He said, "I've got you." He clipped the rescue can between them. He said, "Hold this." She held it. He swam them out of the rip -- lateral, always lateral, never against the current, because fighting the current was fighting the ocean and the ocean always won, but swimming across the current was swimming across the ocean's intention and the ocean's intention had a width, twenty yards, thirty yards, and the width was traversable, the width was the opening, the width was the thing the training taught you to see and the thing the instinct taught you to use.
He brought her to shore. Her mother ran across the sand. The face. The face doing the thing.
He went back to his stand. He climbed up. He scanned.
That was the first save. That was the beginning of the counting, the beginning of the notebook, the beginning of the life that had brought him here, to this boardwalk, to this morning, to this last season. And the first save was also the beginning of the understanding that the saves were not individual events but links in a chain, and the chain was the career, and the career was the continuous unbroken act of standing between the living and the dying, and the standing was not heroic because the standing was ordinary, was daily, was the thing you did every morning when you climbed the stand and the thing you stopped doing every evening when you climbed down, and the ordinariness was the heroism, if heroism was a word that applied, which James did not think it was, because heroism implied choice, implied the moment of decision when the hero chose to act, and James did not choose to act, James acted, the way the heart beat and the lungs breathed and the eyes scanned -- automatically, involuntarily, as a function of the body's design and the mind's training and the twenty years of water that had made the acting as natural as the breathing and the breathing as necessary as the acting.
The equipment room was a partitioned section of the concrete block building, separated from the locker room by a plywood wall. It contained the ATV, the extra rescue cans, the paddle boards, the spinal immobilization board, the oxygen kit, the first aid supplies, the radio chargers, and the binder. The binder was a three-ring binder, blue, labeled ASPB OPERATIONS MANUAL, and it contained everything: the protocols, the procedures, the chain of command, the emergency contacts, the weather guidelines, the flag system specifications, the rescue technique diagrams, the incident report forms, the training schedule, the payroll forms, the insurance information. James had written most of it. He had inherited a binder from the previous captain that was half-empty and disorganized and that reflected an era when the patrol operated on experience and instinct and the institutional knowledge that lived in the captain's head and died when the captain retired. James had transferred the knowledge from his head to the binder because the knowledge needed to survive his departure, needed to exist independently of the person who held it, needed to be available to Elena when she sat at this desk in September and opened this binder and found in its pages the instructions for everything James had learned in twenty years and that he could not take with him to Trenton because the knowledge belonged here, belonged to the water, belonged to the patrol that would continue to exist after James's last day in the way that the ocean continued to exist after every wave's last moment on the sand.
He checked the binder now. He checked it every morning, though it did not change, though he was the only one who changed it, though the checking was not functional but ritual, the way a priest checks the altar, the way a pilot checks the instruments, the touching of the thing that contains the knowledge that the work depends on. He ran his finger down the table of contents. Section 1: Organization. Section 2: Equipment. Section 3: Scanning Protocols. Section 4: Rescue Procedures. Section 5: Medical Emergencies. Section 6: Weather and Water Conditions. Section 7: Public Interaction. Section 8: Documentation. Each section had subsections. Each subsection had procedures. Each procedure had steps. The steps were numbered. The numbering was the order. The order was the difference between a save and a loss, sometimes, the difference between the right sequence and the wrong sequence, the difference between reaching the victim with the can and reaching the victim without it, between securing the airway and not securing the airway, between calling dispatch on channel nine and calling dispatch on channel six and losing three seconds because the wrong channel was the wrong channel and three seconds was an eternity in water that was moving and a body that was not.
Elena came into the equipment room. She set her clipboard on the desk. She sat in the folding chair across from James.
"All stands report clear," she said. "Radios check good. Davis's radio has a sticky transmit button. I swapped it with a spare."
"Good."
"Hernandez says the first aid kit at Stand 2 is missing the SAM splint."
"Restock it."
"Already done."
She paused. Not a pause of uncertainty but a pause of timing, the kind of pause that said: I have something to say and I am choosing the moment to say it. James recognized the pause. He had heard it before, in various forms, over ten years of mornings in this room.
"I heard about Trenton," she said.
James looked at her. She met his look. Her face was composed, attentive, without display. She was twenty-eight. Her hair was pulled back in the braid she wore on duty, tight, practical, the braid of a woman who had learned that the water did not respect loose hair any more than it respected loose straps or loose buckles or loose anything, that everything in the water had to be secured because the water tested every point of attachment, every connection, every fastening, and the things that were loose came undone.
"Who told you," James said.
"Rivera, in the city manager's office. She said they posted the position and then took it down. Said you accepted."
James said nothing. He had intended to tell Elena himself. He had intended to tell her at the right moment, in the right way, with the right words that would acknowledge what the telling meant -- that he was leaving and she was staying and the staying was not the lesser position but the position, the center, the thing the patrol existed to fill, and that she would fill it and that he knew she would fill it because he had watched her fill it, in practice, in approximation, in the ten years of standing slightly behind and slightly to the right and learning the job by watching the person who held it. But the right moment had not arrived, and now the moment had arrived without him, the way moments did, the way waves did, the way the water moved without permission, without schedule, without regard for the captain's intention to control the timing of the thing that could not be timed.
"September," he said.
"I know."
"You're ready."
She did not respond to this. She picked up her clipboard. She stood.
"Stand 4 in five," she said. "The water's picking up. Southwest wind is building."
She left the equipment room. James sat in the folding chair and looked at the binder and thought about the thing he always thought about when he thought about leaving, which was not the leaving but the staying -- the staying that he was not doing, the staying that Elena was doing, the staying that the patrol would do because the patrol was not James and the patrol was not Elena and the patrol was not any one person but the whole of them, the twenty-two guards and the four stands and the rescue cans and the radios and the binder and the scanning and the swimming and the saving, the whole intricate purposeful machinery of prevention that existed because people came to the ocean and the ocean was beautiful and the ocean was dangerous and the beauty and the danger were the same thing, were the same water, were the same wave that lifted you and the same wave that pulled you under, and the patrol existed at the intersection of the beauty and the danger, at the place where the two things met, which was the surface of the water, which was the plane where the living happened and the dying happened and the difference between them was twenty-two people in red suits on a mile of New Jersey beach doing the work that James had done for twenty years and that he would not do in Trenton and that he would miss the way you miss a limb, not with nostalgia but with the persistent phantom sensation of the thing that was part of you and was no longer part of you but that your body continued to feel, continued to reach for, continued to believe was there because the body's memory was longer than the body's reality and the memory of the water would be longer than the water itself.
He stood. He picked up his rescue can. He walked out of the equipment room, across the boardwalk, down the ramp, across the sand, to Stand 4. He climbed the four steps. He settled into the chair. Elena climbed up behind him and stood on the platform's edge, the lieutenant's position, the position from which she would soon sit in the chair and he would be gone and the chair would hold a different body with the same purpose, and the purpose would be the same because the purpose was not personal, the purpose was the water, and the water did not change when the person on the stand changed, and the not-changing was the thing, the enduring indifferent magnificent thing, the thing that made the work possible and the leaving bearable and the morning light on the Atlantic the most beautiful thing James Calloway had ever seen and would ever see and was seeing now, from eight feet up, from the chair, from the stand where he had sat for fourteen years and where he would sit for one more summer, scanning, scanning, scanning the water for the disturbance that meant someone needed him, that meant the ocean had found a body and was doing what the ocean did with bodies, which was pull them, which was move them, which was take them from the place they intended to be to the place the ocean intended them to be, and the guard's job was to disagree with the ocean's intention, to say no, to say not today, to say not on my watch, which was a phrase, a common phrase, a phrase that people used without understanding it, but which James understood because his watch was literal, his watch was the scanning, his watch was the eight hours on the stand with eyes on the water and the water in his eyes and the responsibility in his chest like a second heartbeat, steady, insistent, the rhythm of the work, the rhythm of the life, the rhythm he would carry to Trenton and that Trenton would not understand because Trenton was inland, was dry, was a city where the water came from pipes and the danger came from roads and the saving happened in ambulances and not in the ocean, and the not-in-the-ocean was the thing, the thing he was choosing, the thing he had chosen, the thing that was coming in September when the stands came down and the guards went home and the ocean continued without him, as it always had, as it always would.
He scanned.
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